Accordingly the use of a Geocritical approach towards George Orwell’s novel would permit the use of the space of a narrative as a focal point of the literary research. Thus two opposite types of spaces had two contrasting effect on the protagonist. In Nineteen Eighty Four the change of settings engendered a change in the character’s view and attitudes which created a twist in the plot. The second space that the author introduced is presented as a counter site which clearly contrasts the other spaces in the Orwellian London through introducing an element of hope. 1 Trapped in the closet (chapters 1-33) Lyrics There's total silence, blood everywhere And confusion on their faces as they continue to stare Then Gwen starts shakin' and cryin', screamin', 'What.

The first space is designed homogenously, leaving no room for individuality, or any other form of freedom, and this manipulation of space projects the existing relation between space and power. In Nineteen Eighty Four George Orwell introduced two opposite spaces. However Space could also to some extent contribute in shaping the events of the narrative. Space in literature is regarded as the container of the plot and the events of any narrative. Space is becoming one of the key elements in critical theories.

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